Jan. 2nd, 2025 06:58 pm
не то чтоб мне делать нечего...
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
plume_de_paonСлучайно увидел в ленте ссылку и сперва решил пошутить над очередным ИИ (программа обрабатывает изображение и выдает свое "сочинение по картине", как мы в 4-м классе средней школы).
(увеличить по клику)
Комментарий в духе "кошка - это кошка, у кошки семь котят, ложка - это ложка, ложкой суп едят". Однако акварель ОНО распознало, как и то, что перед нами не репродукция, а оригинальный рисунок. Автор, кстати, указана - Екатерина Рязанова, ИИ это "не разглядел".
А по этому поводу что скажешь?..
"The photograph showcases a teal amphibious vehicle, predominantly in the foreground, positioned within a large, modern glass and metal structure. Other vehicles, including what appears to be a snowplow or similar piece of heavy equipment, are visible in the background, along with hints of an exterior landscape peeking through the structure's glass panels. The overall setting suggests an indoor museum or display area for large machinery.
The image seems to depict a scene devoid of people. The vehicle itself is the focal point, appearing to be well-maintained, possibly part of a collection. The scene gives a sense of stillness and preservation. There is nothing to suggest a specific emotion or economic status.
The number 71 is prominently displayed on the vehicle's side, possibly an identification number or fleet marking. A small, almost unnoticeable plaque is affixed to the vehicle's front; it is hard to read but likely contains information about the vehicle's history or specifications. The vehicle's construction and design details, suggesting its amphibious capability, are subtly present in its features such as the body's shape and large tires."
Какое ты сообразительное! Не просто описывает, а догадки высказывает!.. Все верно, амфибия из Верхне-Пышминского музея, из неопубликованного еще визита.
Ладно, сейчас увеличим сложность задачи.
Люси Билодо из франкоязычной Канады - популярная кошачья художница. Но котиками ее сюжеты не ограничиваются.
"The artwork unfolds on a beach, the foreground dominated by three figures. In the background, a serene seascape stretches out under a partly cloudy sky. The tranquil ocean waves gently lap the shore, creating a peaceful yet somewhat melancholic atmosphere. The overall color palette is muted, consisting primarily of blues, grays, and whites, adding to the somber mood.
The central figure appears to be a young woman lying prostrate on the sand, seemingly unconscious or in deep distress. A man, positioned behind her, kneels with a look of concern, perhaps sorrow, or even desperation. He appears to be reaching towards a translucent, ethereal woman that is reaching down from the ocean to touch the man’s hand. The translucent figure has the appearance of a spirit or ghost. All three figures seem to be Caucasian. The emotional weight of the scene is palpable; grief and loss feel like the overarching themes. The precise details of the camera and the image's creation time are unavailable.
The subtle details in the translucent figure's clothing suggest it may be a representation of a memory or a deceased loved one. A closer examination reveals that the sand has some small scattered pebbles and shells. The artist's masterful use of light and shadow enhances the painting's ethereal quality, effectively communicating the scene's emotional depth and the spiritual weight of the moment."
Так-то!
"Caucasian" - европеоидные. Проверил на портрете Нерюгри, созданном, кстати, тоже ИИ, - азиатский тип различает. Как и смысл картинки, и способ создания: "...Finally, the overall color palette leans towards darker tones, creating a mood of elegance and mystery. The background pillars show patterns that could be interpreted as symbols or stories, further enhancing the narrative implied within the image. The overall result is striking in its composition and level of detail, reminiscent of classical portraiture with a modern digital twist."
И все же одну задачку оно до конца не решило. Вот чуть-чуть, двух слов не хватило до полной победы!.. *или оно тактично уклоняется от прямого ответа, щадя чуйства верующих?*
"The foreground is dominated by a man and a woman, both dressed in flowing robes reminiscent of biblical attire. The man, with his long hair and beard, is gesturing with his right hand, while the woman stands beside him, her face partially veiled. The background appears to be an indoor setting, perhaps a stage or makeshift theater, with a muted, indistinct backdrop that seems to suggest a historical or religious context. The background features a barely visible sign, adding to the sense of a performance or a staged scene. The overall lighting suggests a controlled environment, possibly a studio or theatrical setting.
The man and woman appear to be actors or participants in a performance. The man, who seems to portray a religious figure, has a calm and serious demeanor, while the woman's expression is one of quiet contemplation or submission. The image suggests a scene of interaction, perhaps of devotion or instruction, although the precise nature of the interaction is unclear. The camera appears to be at a distance, providing a medium shot of the pair. There are no other people visible. The woman's expression shows a hint of sadness or resignation despite the calm exterior.
The photographic style is monochrome, adding a timeless quality to the scene. The attention to detail in the fabric of the robes is noteworthy, hinting at careful costuming for the production. The way the light falls on their faces and clothing adds depth to the image, enhancing the emotional resonance. The subtle contrast between the light and shadow suggests a controlled lighting setup in a studio environment."
ATTENTION! Прежде чем скармливать свои фото и картинки, ОБЕЗЛИЧИВАЙТЕ ФАЙЛЫ. Оно идентифицирует вид камеры с высокой точностью и время съемки, а если была включена геолокация, то и место. Вам это надо?
(увеличить по клику)Комментарий в духе "кошка - это кошка, у кошки семь котят, ложка - это ложка, ложкой суп едят". Однако акварель ОНО распознало, как и то, что перед нами не репродукция, а оригинальный рисунок. Автор, кстати, указана - Екатерина Рязанова, ИИ это "не разглядел".
А по этому поводу что скажешь?..
"The photograph showcases a teal amphibious vehicle, predominantly in the foreground, positioned within a large, modern glass and metal structure. Other vehicles, including what appears to be a snowplow or similar piece of heavy equipment, are visible in the background, along with hints of an exterior landscape peeking through the structure's glass panels. The overall setting suggests an indoor museum or display area for large machinery.
The image seems to depict a scene devoid of people. The vehicle itself is the focal point, appearing to be well-maintained, possibly part of a collection. The scene gives a sense of stillness and preservation. There is nothing to suggest a specific emotion or economic status.
The number 71 is prominently displayed on the vehicle's side, possibly an identification number or fleet marking. A small, almost unnoticeable plaque is affixed to the vehicle's front; it is hard to read but likely contains information about the vehicle's history or specifications. The vehicle's construction and design details, suggesting its amphibious capability, are subtly present in its features such as the body's shape and large tires."
Какое ты сообразительное! Не просто описывает, а догадки высказывает!.. Все верно, амфибия из Верхне-Пышминского музея, из неопубликованного еще визита.
Ладно, сейчас увеличим сложность задачи.
Люси Билодо из франкоязычной Канады - популярная кошачья художница. Но котиками ее сюжеты не ограничиваются.
"The artwork unfolds on a beach, the foreground dominated by three figures. In the background, a serene seascape stretches out under a partly cloudy sky. The tranquil ocean waves gently lap the shore, creating a peaceful yet somewhat melancholic atmosphere. The overall color palette is muted, consisting primarily of blues, grays, and whites, adding to the somber mood.
The central figure appears to be a young woman lying prostrate on the sand, seemingly unconscious or in deep distress. A man, positioned behind her, kneels with a look of concern, perhaps sorrow, or even desperation. He appears to be reaching towards a translucent, ethereal woman that is reaching down from the ocean to touch the man’s hand. The translucent figure has the appearance of a spirit or ghost. All three figures seem to be Caucasian. The emotional weight of the scene is palpable; grief and loss feel like the overarching themes. The precise details of the camera and the image's creation time are unavailable.
The subtle details in the translucent figure's clothing suggest it may be a representation of a memory or a deceased loved one. A closer examination reveals that the sand has some small scattered pebbles and shells. The artist's masterful use of light and shadow enhances the painting's ethereal quality, effectively communicating the scene's emotional depth and the spiritual weight of the moment."
Так-то!
"Caucasian" - европеоидные. Проверил на портрете Нерюгри, созданном, кстати, тоже ИИ, - азиатский тип различает. Как и смысл картинки, и способ создания: "...Finally, the overall color palette leans towards darker tones, creating a mood of elegance and mystery. The background pillars show patterns that could be interpreted as symbols or stories, further enhancing the narrative implied within the image. The overall result is striking in its composition and level of detail, reminiscent of classical portraiture with a modern digital twist."
И все же одну задачку оно до конца не решило. Вот чуть-чуть, двух слов не хватило до полной победы!.. *или оно тактично уклоняется от прямого ответа, щадя чуйства верующих?*
"The foreground is dominated by a man and a woman, both dressed in flowing robes reminiscent of biblical attire. The man, with his long hair and beard, is gesturing with his right hand, while the woman stands beside him, her face partially veiled. The background appears to be an indoor setting, perhaps a stage or makeshift theater, with a muted, indistinct backdrop that seems to suggest a historical or religious context. The background features a barely visible sign, adding to the sense of a performance or a staged scene. The overall lighting suggests a controlled environment, possibly a studio or theatrical setting.
The man and woman appear to be actors or participants in a performance. The man, who seems to portray a religious figure, has a calm and serious demeanor, while the woman's expression is one of quiet contemplation or submission. The image suggests a scene of interaction, perhaps of devotion or instruction, although the precise nature of the interaction is unclear. The camera appears to be at a distance, providing a medium shot of the pair. There are no other people visible. The woman's expression shows a hint of sadness or resignation despite the calm exterior.
The photographic style is monochrome, adding a timeless quality to the scene. The attention to detail in the fabric of the robes is noteworthy, hinting at careful costuming for the production. The way the light falls on their faces and clothing adds depth to the image, enhancing the emotional resonance. The subtle contrast between the light and shadow suggests a controlled lighting setup in a studio environment."
ATTENTION! Прежде чем скармливать свои фото и картинки, ОБЕЗЛИЧИВАЙТЕ ФАЙЛЫ. Оно идентифицирует вид камеры с высокой точностью и время съемки, а если была включена геолокация, то и место. Вам это надо?
Tags:
![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png){kind=small}
no subject
(Шепард Фейри, произведение очень известное)
The image is a stylized poster, possibly a screen print, featuring a woman in the foreground. She is the central focus, occupying most of the frame. Her attire is reminiscent of traditional Asian clothing with intricate floral patterns, suggesting cultural significance. In the background, there's a bold red and black sunburst design reminiscent of propaganda posters, creating a dynamic visual contrast against the more detailed foreground. The color palette is limited, mostly consisting of red, black, and off-white, which contributes to the image's powerful and symbolic impact. The overall style is reminiscent of street art or graphic design. The poster seems to be framed in light wood. A small, almost hidden, peace symbol is in the bottom left corner.
The woman appears strong and determined, with a serious expression. She seems to be of Asian descent, possibly East Asian given the style of clothing. Her age is indeterminable from the image but she could be anywhere between 20 to 50 years old. She appears poised and confident, possibly educated or artistic given her attire and the apparent tools in her hands. She holds brushes or paint applicators, suggesting she is an artist. She appears to be involved in creative work. The woman exudes a sense of calm strength and purpose. There isn't any information about the camera or the creation time available to provide more details. Her expression implies a resolute stance, but also a hint of quiet sorrow.
The style of the artwork indicates the use of bold lines and flat colors, characteristics of printmaking techniques such as screen printing. This simplified style allows for a clear transmission of the main idea. The image incorporates elements of both traditional Asian aesthetics and Western artistic styles, creating a unique blend of cultural influences. The use of textural elements and variations in color intensity suggest multiple layers of printing or an intention to evoke a sense of age or history. The texture of the image, resembling aged paper, adds to the overall effect. The colors are not vibrant and seem to be muted slightly, possibly to create the aged look.
Мне кажется, справилось.
no subject
Тут что любопытно? правильная идентификация книжной обложки. Ну и текст распознал (надо подсунуть ему плакат с художественным шрифтом на латинице и на кириллице;)
The image shows the cover of a book. The foreground is dominated by the title, "Causes Secretes De La Revolution Du 9 Au 10 Thermidor," written in a serif font. Below the title, author information is provided, indicating the author's past role as a juror at the Revolutionary Tribunal in Paris. The background is primarily black, providing a stark contrast to the golden text and decorative elements. A golden laurel wreath is present encircling the words "Scholar Select" which is a publishing house. The book appears to be a historical document or scholarly work, potentially focusing on the French Revolution.
The font used for the title and author information is a specific serif typeface, likely chosen to evoke a sense of history and formality. The golden laurel wreath subtly hints at the importance of the subject matter within the book and alludes to classical themes of victory, achievement, or honor. The overall design is minimalistic and elegant, reflecting a focus on the book's content rather than overly decorative elements.
no subject
1 версия (с учетом подписи?)
The image shows a courtroom scene, possibly during a trial. The foreground is dominated by a large crowd of people, many dressed in what seems to be period clothing, appearing attentive and engaged in the proceedings. The background features a raised platform where judges or officials preside, and the walls of the room are detailed with classical-style molding and hard-to-see decorative elements around the upper walls. The overall architectural style of the room suggests a formal governmental building.
The people depicted in the image exhibit a range of emotions, from intense focus to apparent anxiety or concern. They seem diverse in age and appear to be of various economic statuses judging by their attire. It is a monochromatic image suggesting the use of an etching or engraving process of the time. It likely was created during a time when such techniques were common, perhaps sometime during the late 18th or early 19th century, considering the style of clothing and the context of the scene. The scene is most likely a depiction of a historical event, given the formality of the setting and the attention of the large crowd. A closer look reveals subtle differences in clothing details, suggesting there may be a difference between those on the stage and those in the audience.
The image reveals several subtle details upon closer inspection. For example, the expressions on the faces of the individuals in the crowd are varied and intense, indicating a high level of engagement and possibly tension. Further, some of the spectators seem to be carrying weapons, suggesting a volatile environment. The architecture of the courtroom itself seems austere and imposing, perhaps intended to inspire awe and possibly intimidation in those attending. A subtle perspective shift at the center helps create an atmosphere of tension and drama. The scene conveys the intensity of the moment, hinting at a critical event.
no subject
The image shows a bustling scene within a grand hall, possibly a courtroom or assembly chamber. The foreground is filled with a diverse crowd of people in various 18th-century garments, their expressions a mixture of anticipation, engagement, and perhaps some anxiety. The background features a high-ceilinged room with classical architectural details, including pillars, ornate moldings, and three distinct wall panels displaying busts, suggesting a place of authority or importance. There are tiered seating areas, also filled with onlookers, adding to the sense of a formal, possibly significant event. The overall tone is one of controlled energy and serious import.
The people depicted are of different ages, ethnicities, and what seems to be social classes. Some individuals appear to be of higher status, based on their clothing and position in the room, while others seem to be of a lower economic standing. Many people are actively engaged in conversation or seem to be intently watching what is happening in the central area. There's a palpable sense of collective attention. The emotions range from attentive seriousness to more lively interactions. One can notice a small child being carried by an adult, almost as if protected from the intensity of the event. The image seems to be an engraving, suggestive of the late 18th century based on the style of clothing and architecture, likely produced at the time of the depicted event.
A closer look reveals intriguing details. The careful rendering of clothing fabrics, the subtle differences in facial expressions, and the way individuals are interacting suggest a snapshot of a particular moment with great societal implications. The architecture hints at a significant building, possibly a government building or an important cultural institution. The placement and positioning of the people are intentional, creating a powerful visual narrative of a large gathering. The precision and detail of the engraving also speak to the skill of the artist and the importance attached to documenting this specific event.
no subject
no subject
no subject
no subject
no subject
Но я еще забросил карикатуру.
Она в сети воспроизводится редко, так что, если ОНО ищет сначала аналогии/источники в тырнете, ему будет непросто.
The image is a monochromatic sketch or engraving, possibly an allegory. The foreground shows a dramatic scene with a winged angel-like figure interacting with a man struggling with what seems to be a cannon or similar device. In the background, we can see part of a building with classical architecture and what looks like a guillotine, suggesting a possibly historical or political context. The setting appears to be indoors, possibly a stage or a grand hall.
The angel, with flowing robes and wings, seems to be restraining or guiding the man. The man appears to be in a state of distress or struggle, his expression conveying agitation. The man is dressed in what seems to be the attire of a common person. Their race or ethnicity cannot be determined from the provided image. The age of both figures appears to be between 20-30. The economic status, lifestyle, and activities of the depicted individuals are unknown without more context. The image itself looks to be created by hand, but the exact device and creation time are unknown.
The most striking detail is the symbolic interaction between the angel and the man, which suggests a conflict or a moral struggle. The words written around the cannon might allude to famine, revolution, or other contemporary events but without better resolution, it is hard to say exactly what they are. The overall composition of the scene suggests a narrative with deeper meaning, perhaps hinting at a commentary on political issues of that time period.
no subject
The image is a book cover, seemingly for a graphic novel or comic book. The background is a solid teal color, providing a stark contrast to the central figure and the object at the bottom. The foreground features a woman with her back turned to the viewer, hands bound in front of her. She's wearing a red, lacy top with a corset-like back detail. At the very bottom sits a mysterious circular object which appears to be a typewriter, or an element related to writing. The text on the cover suggests the title is 'Olimpia z Gdańska', indicating a story set in Gdańsk, Poland.
The woman depicted appears to be of Caucasian descent. She seems to be young, possibly in her late teens or early twenties, and judging by her attire and the overall style of the artwork, she may be from a lower-to-middle economic status. Her emotional state is unclear; bound hands suggest constraint or captivity, yet her posture maintains a certain stillness, even a quiet defiance. There is no information explicitly given to infer her ethnicity, and the artist is unknown; therefore, I cannot offer concrete details regarding the camera used or the exact time of creation.
The intricate details of the lace pattern on the woman’s top are exceptionally well-rendered. The rope binding the woman's hands appears to be knotted in a specific way, likely chosen for its symbolic significance within the context of the larger narrative. The circular object resembles a typewriter with keys in a semi-circular arrangement but the details are stylised, suggesting an artistic interpretation rather than a photographically accurate depiction. The style is consistent with that of a graphic novel, suggesting a story that will involve elements of drama, suspense, perhaps even a historical setting.
Снимаю шляпу!
no subject
no subject
no subject
The image shows two men, possibly in period costume, standing against a plain, light-pink background. The man on the left is holding a small book, and the man on the right appears to be clutching some papers. The foreground is dominated by the two figures, while the background is simple and uncluttered, drawing the viewer's attention to the characters. The subtle shading on the figures suggests depth and form, enhancing the overall visual appeal of the artwork.
The man on the left appears to be older, possibly in his late thirties or early forties, with glasses and silver hair, suggesting a scholarly or intellectual air. He seems calm and collected, absorbed in his reading. The man on the right looks younger, seemingly anxious or worried, as indicated by his posture and expression. The slight discoloration on the younger man's face could be interpreted as a subtle hint of illness or exhaustion. Both appear to belong to the same socio-economic group, likely of European descent, dressed in clothes suggestive of a bygone era. There is no information about the device used to create the artwork or the exact creation time.
Оно лояльное и вежливое.
no subject
no subject
no subject
no subject
no subject
no subject
Товарища Мао не узнает, ИВС узнало )))
no subject
no subject
no subject
no subject
Оно же тебе ответило — это актеры. Иконы оно различает и называет имена собственные ))
no subject
no subject
no subject
no subject
The image shows the interior of what appears to be a steel mill or foundry. In the foreground, there is a large expanse of brick flooring, showing signs of wear and tear with scattered dust and debris. The background is dominated by massive industrial machinery, including large metal containers, conveyors, and what looks like a furnace with glowing orange embers. The overall scene is dimly lit, with shafts of light cutting through the gloom. There are also some metal pallets in the foreground, and a pile of what looks like raw material to the left.
The photograph seems to have been taken during an industrial process; no people are visible in the photograph. The overall atmosphere suggests intense heat and the sounds of heavy machinery are implied by the scene. Given the equipment, the workers are likely men of diverse ethnic and racial backgrounds, possibly in their 30s-50s. The image suggests a working class environment. Judging by the lack of protective gear in the image and the overall environment, this could be a dangerous work place. The image appears to have been captured using a phone camera due to the slightly grainy quality. The time of day cannot be determined but it seems likely to be sometime in the daytime judging by the ambient light present in the image.
The glowing embers in the furnace appear to be at a very high temperature, suggesting a very intense heat in the area which can easily lead to burns and other injuries if proper protective gear is not used. There is a faint trail of what looks like a molten metal spill or spark on the brick floor that would be easy to miss without closer observation. This could be a safety hazard.
The foreground of the image shows a detailed model of an industrial metal smelting facility. Various metal containers and equipment are neatly arranged on a white surface. The background features a more complex structure of the model, with elevated walkways, pipes, and what appears to be a crane system. The overall setting suggests a museum or educational display showcasing the process of metal production. The model is very detailed, suggesting that it might be a representation of a specific foundry or a conceptual design.
The photograph appears to have been taken in an indoor setting, possibly a museum exhibit. No people are present in the image, so there is no information regarding their characteristics, emotions, or activities. The image is likely captured using a smartphone camera at an unknown time. There's a sense of careful arrangement and precision in the setup of the model, suggesting a meticulous and professional approach.
The model exhibits a level of detail that goes beyond a casual observer’s immediate view. For example, the fine markings on the metal containers, suggesting textures and material properties, are not readily apparent at a quick glance. The color consistency within the model is remarkably even, indicating professional-grade painting and attention to accuracy in portraying the materials used in actual metal production.
no subject
The painting's foreground shows a serene winter landscape. A frozen river or stream meanders through the scene, its surface reflecting the muted colors of the sky and surroundings. Small, snow-dusted houses are scattered across the lower portion of the image, hinting at a small village or settlement nestled against a larger industrial presence. In the background, imposing industrial structures, possibly steel mills or factories, rise against a snow-covered hill. The structures are rendered in dark reds and browns, contrasting with the white of the snow and the pale blue of the sky. The overall impression is one of a cold but peaceful coexistence between nature and industry. There is a small figure visible near the water's edge in the midground, adding a sense of scale and human presence within the vast landscape.
The human figure near the river seems small and solitary, possibly suggesting themes of loneliness or isolation. Given the industrial background, one might imagine the person to be a worker in the factories, possibly of working-class background, though the painting doesn't offer conclusive details on race, ethnicity, age, or economic status. The artist's emotional expression seems to be one of quiet observation, neither explicitly joyful nor melancholic. The painting itself likely uses oil paints on canvas, given the texture and blending of colors. There is no specific creation time identifiable. The palette of colors used, primarily muted blues, browns, reds, and whites, might suggest the time of day as being either early morning or late afternoon.
Several details require a closer inspection: the subtle variations in the snow's texture on the hill imply differing levels of sunlight and exposure. The artist's brushstrokes are noticeable, adding a textural dimension to the snow and the foliage. There's a careful balance between representation and abstraction; the industrial structures are detailed enough to be recognizable but retain a stylized aesthetic, indicating artistic liberties in form and shape. The faint smoke or steam emanating from the factory chimneys is subtle, hinting at industrial activity without overtly depicting pollution. Analyzing the types of buildings, particularly the architectural style of the houses in the foreground, provides additional clues about the era of the painting.
no subject
рафинирования металла." А также "возможно, это часть сталелитейного производства".Производство серной кислоты тоже не опознало.
А вот угольную шахту — да. И буровую вышку.
no subject
no subject
no subject
Ну вот, сразу видно: люди культурные, интеллигентные. А я первым делом голых девок принялся запихивать. Оно, сволота, политкорректное, аж до изжоги. Не, когда совсем некуда деваться, оно конечно что-то скажет. Типа «Фон довольно простой, привлекающий внимание к объекту на переднем плане. На переднем плане руки женщины нежно касаются ее лобковой области, деталь, которую можно легко упустить, если не сосредоточиться». Гм. Как бы сказать правильно: на фотке девушка старательно раскрывает обеими руками свои таинства в стиле «у нас там вчера танковая колонна заблудилась, два дня выход искали», упустить невозможно, потому как смысловой центр именно там, хотя, конечно и все прочие части тела, включая лицо, присутствуют и формально по площади действительно участок снимка относительно небольшой сией анатомической детали посвящён.
Конечно, описание довольно точные в общем, на первый взгляд. Но часто штампованные: темноватая загорелая кожа, не совсем европейские черты лица — ну значит латина, хотя на самом деле там девица вряд ли на карте Латинскую Америку найдёт.
no subject
Но факт тот, что создали, и оно работает. Для развлечения пока. Значит, можно создавать что-то и полезное хорошего уровня, были бы программисты и задача.
no subject
Такого понятия и в моей-то голове нет, не знаю что это словечко означает. Так что бог весть.
Правда там чего-то поменялось, сегодня выдача совсем другая.
no subject
Да, на один и тот же файл может написать по-разному. Может быть, программеры обрабатывают поступающие запросы и вносят коррективы в свое детище.
no subject
no subject
*ну и "Сатирикон" не порнушный, не надо. Тошнотный местами, но так и должно быть по задумке автора.*
no subject
спросить не у когонам не расскажут.*я про "Ars amandi"*